Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA67951/3

Prologo, BV279

composer
1918; from a projected set of Notturni

Marc-André Hamelin (piano)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: August 2012
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: November 2013
Total duration: 0 minutes 51 seconds

Cover artwork: Materia (1912). Umberto Boccioni (1882-1916)
Private Collection / Giraudon / Bridgeman Images
 

Reviews

‘Works where Busoni found his truest voice … Hamelin, playing with unfaltering lucidity and authority, achieves an astonishing triumph even by his exalted standards. As always, Hyperion has done him proud … an album that could never be bettered’ (Gramophone)

‘Marc-André Hamelin’s performance of the Busoni Piano Concerto for Hyperion is one of the finest ever recorded of that mammoth work, and now he has produced what is arguably the most important collection of the solo piano music since Geoffrey Douglas Madge’s epic six-disc survey for Philips in 1987 … All the most significant works are here … Hamelin includes some rarities Madge omitted, notably Busoni’s first foray into 'Red Indian’ music, the spellbinding Indianisches Erntelied (not published till 2001) … As to the performances, they are all you could hope from a player of such quality, laced with repertoire he might have been born to interpret. This is playing of a very high order, such as—despite the now numerous competing versions of the Elegies, Sonatinas and Toccata—one seldom hears. Hamelin is well-nigh ideal in sensitivity of phrasing, clarity of tone and delineation of voices, not to mention subtlety of pedalling … He reminds you that you are listening to one of history’s greatest piano composers, a philosopher of the piano to whose ear and mind the whole of European concert music seems to have been continually present. A fabulous set, almost beyond praise’ (BBC Music Magazine)» More
PERFORMANCE
RECORDING

‘What comes through on listening to Hamelin is the underlying consistency of his approach over this music as a whole and, above all, the singularity of Busoni's musical vision and its relevance to composers and pianists almost a century on’ (International Record Review)

‘Few pianists have the time and technique to devote to music that is so little-known. Marc-André Hamelin is the shining exception. He demonstrated his Busoni credentials more than a decade ago with an outstanding account of the Piano Concerto … Hamelin handles all with great intelligence. There's a swagger when the music demands it, a fabulously refined sense of sonority and transparency when required. The technical challenges are surmounted so effortlessly that you begin to take the confidence of his playing for granted, when in fact it's a remarkable achievement’ (The Guardian)» More

‘The gift I'd choose for myself would be Marc-André Hamelin's magisterial three-disc survey of Busoni's later piano music—elusive and haunting material from a pivotal figure’ (The Times)» More

‘Hyperion does Busoni a great service in issuing this magnificent three-disc box. Those readers who know Busoni mainly (or only) via his transcriptions will have a whole new world revealed to them. Hamelin, one of today’s super-virtuosos but also a musician of the highest rank, seems to be the ideal interpreter, and is captured throughout in superb sound’ (International Piano)» More

‘Marc-André Hamelin powers through this tour de force [the Giga, bolero e variazione] in under four minutes—one of the miracles of the recorded repertoire’ (The Spectator)

‘This three-CD set presents Marc-André Hamelin, another formidable pianist, in Busoni works from the first quarter of the 20th century. The music draws from the heritage of Bach, Liszt and Wagner, while taking modern paths and anticipating atonality. Even when a particular piece seems amorphous or elusive, these elegies, fantasias, sonatinas and more are continually fascinating, especially in Mr. Hamelin’s commanding performances’ (The New York Times)» More

‘Hamelin's recent release of three CDs devoted to the late piano music of Ferruccio Busoni represents another milestone in an outstanding career … These three discs contain a number of pieces not previously recorded and also include a sampling of the numerous Bach arrangements Busoni is best known for. The programming is exemplary, the sound is alluring (from a Steinway piano recorded in London’s Henry Wood Hall) and the program notes are excellent. Bravo Hamelin!’ (The Whole Note, Canada)» More

«L’impeccable virtuosité de Marc-André Hamelin se joue des pièges recélés par ces redoutables partitions; sa quête faustienne, à la fois analytique et méditée, assume la dimension philosophique quasi médiévale de cette alchimie sonore et nous en livre une référence absolue» (Classica, France)» More
PERFORMANCE
RECORDING

„Marc André Hamelin ist derzeit unumstritten der König der Busoni-Interpreten. Triumphal meistert er die außerordentlichen technischen Schwierigkeiten und die komplexe Kontrapunktik der Musik Busonis“ (Class Aktuell, Germany)» More

„Marc-André Hamelin gelingt, alle Facetten in exzellenten Interpretationen darzustellen … seiner qualitativ hochwertigen Edition der Klaviermusik von Ferruccio Busoni dürfte deshalb über eine lange Zeit der Referenzstatus sicher sein“ (Piano, Germany)» More
PERFORMANCE
RECORDING
One of Busoni’s shortest and simplest works (besides pieces written in childhood) is a Prologo from a projected set of Notturni (‘Nocturnes’) begun in 1918 (there also exists an incomplete second piece entitled Il Sagramento). The completed snippet consists of twenty-three bars in A minor whose texture is very sparse, sometimes reduced to two parts in unison. It makes a brief appearance in Doktor Faust.

from notes by Marc-André Roberge © 2013

L’une des œuvres les plus courtes et les plus simples de Busoni (exception faite de pièces écrites dans l’enfance) est un Prologo tiré d’un groupe de Notturni («Nocturnes») commencé en 1918 (il y a aussi une deuxième pièce, incomplète, intitulée Il Sagramento). La piécette se compose de 23 mesures en la mineur d’une texture très éparse, parfois réduite à 2 voix à l’unisson. On la retrouve brièvement dans Doktor Faust.

extrait des notes rédigées par Marc-André Roberge © 2013

Eines der kürzesten und schlichtesten Werke (neben seinen Kindheitsstücken) ist ein Prologo eines geplanten Zyklus von Notturni, den Busoni 1918 begonnen hatte (es existiert ebenso ein unvollständiges Stück mit dem Titel Il Sagramento). Der vervollständigte Schnipsel besteht aus 23 Takten in a-Moll und hat eine sehr dürftige Textur, die zuweilen auf zwei Stimmen im Unisono reduziert ist. Das Material kommt kurz in Doktor Faust vor.

aus dem Begleittext von Marc-André Roberge © 2013
Deutsch: Viola Scheffel

Waiting for content to load...
Waiting for content to load...