Praised for her 'beguiling tone and unfailing musicality' (Gramophone), Swedish-native Camilla Tilling has been performing on the world’s leading opera, concert, and recital stages for over two decades while building an impressive discography that includes Die Schöpfung with Symphonieorchester des Bayerischen Rundfunks under Bernard Haitink, and a portrait album of Gluck & Mozart arias and numerous recitals on the BIS label dedicated to the Lieder of Schubert and Strauss, among others.

Early operatic roles such as Sophie (Der Rosenkavalier), Pamina (Die Zauberflöte), Ilia (Idomeneo), Susanna (Le nozze di Figaro), and Zerlina (Don Giovanni) gave Tilling debuts at Royal Opera House, Covent Garden, San Francisco Opera, Bayerische Staatsoper, Opéra national de Paris, Lyric Opera of Chicago, Teatro alla Scala, and the Metropolitan Opera. Later highlights include the Governess (The Turn of the Screw) at Glyndebourne Festival, Euridice (Orfeo ed Euridice) at Salzburg Mozartwoche, Donna Clara (Der Zwerg) at Bayerische Staatsoper, Gretel (Hänsel und Gretel) at Covent Garden, l’Ange (Saint François d’Assise) for Dutch National Opera, both Blanche de la Force (Dialogues des Carmélites) and Contessa (Le nozze di Figaro) at Royal Swedish Opera, and Mélisande (Pelléas et Mélisande) at Teatro Real Madrid, Semperoper Dresden, Finnish National Opera, and with the Los Angeles Philharmonic.

A prolific concert performer, recent highlights include Mahler Symphony No 4 with Het Concertgebouw Orkest and the Los Angeles Philharmonic; Schoenberg’s Gurrelieder with Esa-Pekka Salonen and London Philharmonia; Dutilleux’s Correspondances with Orchestre National de France and Omer Meir Wellber; and Berg’s Sieben frühe Lieder with the London Symphony Orchestra and François-Xavier Roth.

Tilling was a soloist in Bernard Haitink’s final concert with Radio Filharmonisch Orkest at Amsterdam’s Concertgebouw after a long collaboration which included her first performances at Teatro alla Scala and she has toured extensively in Peter Sellars’ staging of Bach’s St Matthew Passion and St John Passion with Berliner Philharmoniker and Sir Simon Rattle.