Alan Ewing has sung for the Royal Opera, Covent Garden, ENO, WNO, Netherlands Opera, Berlin Staatsoper, Zurich, Karlsruhe, Strasbourg, Opera national de Lorraine Nancy, Lille, Nantes, Opera Colorado and at the Festivals of Salzburg, Lucerne, Aldeburgh, Maggio Musicale and New Zealand in a wide repertoire including Osmin, Sarastro, Ochs, Bartok’s Bluebeard, Rocco, Ferrando Il Trovatore, Sparafucile, Leporello, Kutuzov War and Peace, Fafner, Polyphemus Acis and Galatea and the title role in Sweeney Todd.

Alan Ewing began his career in the world of Renaissance and Baroque music with concerts for Sir Roger Norrington, Philip Pickett, Andrew Parrott, Paul McCreesh, Marc Minkowski and Les Musiciens du Louvre, and William Christie and Les Arts Florissants. Other conductors for whom he has worked subsequently include Sir Colin Davis, Steuart Bedford, Richard Hickox, Christian Curnyn, Jean-Claude Malgoire and Sir Antonio Pappano.

Recent engagements included Cardinal King Roger, Bosun Billy Budd, Frontier Guard Boris Godunov, Garden and Caretaker 2, Policeman 3, Gentleman 5, Respectable Lady’s Son 1 and Kovalyov’s acquaintance 3 in the new production of The Nose, and 2nd Soldier Salome at the Royal Opera House, Covent Garden, Gremin Eugene Onegin and Hunding in the new production of Die Walküre in the inaugural season of Grange Park Opera, The Nose for Komische Oper, Berlin, Claudio Agrippina for Opera Collective Ireland in Dublin, Nettuno Il ritorno d’Ulisse in patria at Kilkenny Arts Festival with Akademie für Alte Musik Berlin, Lady Bracknell in Gerald Barry’s The Importance of Being Earnest at the Barbican and the Rose Theatre New York, for the Royal Opera and Opera National de Lorraine, Powder Her Face for English National Opera and Arriaga Theatre, Bilbao, Bottom A Midsummer Night’s Dream at the Hyogo Performing Arts Centre, Japan and Dream of Gerontius for BBC Symphony Orchestra at Barbican Hall.