Lorna Anderson has appeared in opera, concert and recital with major orchestras and festivals throughout Europe and elsewhere. As a renowned performer of the Baroque repertoire she has sung with the Orchestra of the Age of Enlightenment, Les Arts Florissants, The Sixteen, The English Concert, St James Baroque, London Baroque, Collegium Musicum 90, The King’s Consort, London Classical Players, La Chapelle Royale and the Academy of Ancient Music, under conductors including William Christie, Harry Christophers, Richard Egarr, Trevor Pinnock, Richard Hickox, Nicholas McGegan, Robert King and Sir Charles Mackerras.

In opera she has sung Morgana (Alcina) at the Halle Handel Festival, Sevilla (La Clemenza di Tito) with the Flanders Philharmonic Orchestra, Theodora with Glyndebourne Touring Opera, Riccardo Primo at the Göttingen Festival with Nicholas McGegan, The Fairy Queen with The English Concert and Il combattimento di Tancredi e Clorinda with Netherlands Opera. Lorna Anderson has also established an important reputation in the standard concert repertoire, having sung with the BBC Orchestras, Bach Choir, London Mozart Players, Royal Liverpool Philharmonic, Israel Camerata, RAI Turin (Les Noces), New World Symphony in Miami, Houston Symphony Orchestra, Washington Symphony Orchestra, Scottish Chamber Orchestra, Ensemble Intercontemporain under Pierre Boulez, London Sinfonietta under Sir Simon Rattle and at the Salzburg, Edinburgh and Aldeburgh Festivals among others. She has also toured in Libya and China with the Academy of Ancient Music.

Her recordings for Hyperion include Britten Folksong settings with Malcolm Martineau, Handel’s L’Allegro, il Penseroso ed il Moderato with Robert King, and Schubert songs with Graham Johnson.