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Track(s) taken from SIGCD029

Laudate Dominum

composer
5vv MTTBarB
author of text
Psalm 116 (117)

Chapelle du Roi, Alistair Dixon (conductor)
Recording details: November 2000
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Edward Wickham
Engineered by Limo Hearn
Release date: April 2004
Total duration: 4 minutes 4 seconds
 

Other recordings available for download

The Cardinall's Musick, Andrew Carwood (conductor)

Reviews

'Listening to it in the context of Tallis' other contemporary settings of Latin texts makes it all the more enjoyable and it provides a breath-taking climax to the present recording, The Tallis complete works is one of the most exciting projects currently underway on any early music label, and Signum are to be warmly congratulated on the inspiring results. Thoroughly recommended' (Early Music Scotland)» More

'Thomas Tallis lived through tempestuous political changes that directly affected how he was allowed to compose. Under Queen Mary he was yoked to Roman Catholic orthodoxy. It must have pleasantly surprised him that on Elizabeth I's accession he was free to continue setting Latin texts, albeit with modifications to his former opulent style. This disc includes 16 works of this second period. The simplicity of a moving penitential piece for Lent, In Ieiunio et Fletu—given in two versions—is balanced by the brilliant double canon of Miserere Mei Nostri and the intense polyphony of the confessional motet Absterge Domine. The climax is Tallis's most celebrated work: the 40-part motet, Spem in Alium. Conductor Alistair Dixon paces and balances the voices of his vocal group Chapelle du Roi beautifully, making the very most of the work's amazing textural and spacial contrasts' (The Evening Standard)

Tallis seems not to have been much taken with the increased popularity of polyphonic settings of words from the Book of Psalms. He produced only two such pieces—Domine, quis habitabit? (the most popular text) and this Laudate Dominum, a setting of Psalm 117. Lively, full of sprung rhythms and with some fine characteristic Tallis cadences, it may well have been the inspiration for William Byrd’s later setting of Laudate pueri.

from notes by Andrew Carwood © 2015

Tallis ne fut manifestement guère impressionné par la popularité croissante des mises en musique polyphoniques de textes tirés du Livre des psaumes. Il’ n’en fit que deux: Domine, quis habitabit? (le texte le plus populaire) et le présent Laudate Dominum, sur le psaume 117. Enjouée, toute en rythmes sautillants et avec de belles cadences typiques de lui, cette pièce a fort bien pu inspirer à William Byrd son Laudate pueri plus tardif.

extrait des notes rédigées par Andrew Carwood © 2015
Français: Hypérion

Tallis scheint sich für die zunehmende Popularität polyphoner Vertonungen von Texten aus dem Psalter nicht sonderlich erwärmt zu haben. Er komponierte zwei derartige Stücke—Domine, quis habitabit? (der beliebteste Text) und das hier vorliegende Laudate Dominum, eine Vertonung von Psalm 117. Es ist lebhaft, voller federnder Rhythmen und hat mehrere wunderbare, charakteristische Tallis-Kadenzen; es kann durchaus die Inspirationsquelle für William Byrds spätere Vertonung des Laudate pueri gewesen sein.

aus dem Begleittext von Andrew Carwood © 2015
Deutsch: Viola Scheffel

Other albums featuring this work

Tallis: Ave, rosa sine spinis & other sacred music
Studio Master: CDA68076CD temporarily out of stockStudio Master FLAC & ALAC downloads available
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